I'm not talking Screamin' Jay Hawkins or Björk or Marilyn Manson, or anyone else who somehow makes a living out of seeming peculiar. I'm talking weird.
Why weird? Well, Fie Upon This Quiet Life has posted what I receive as a pretty strange pop recording: a reggae-inflected setting of a song from Twelfth Night. Fie seems to disagree with me about this, but I think it's kind of bizarre. Does Twelfth Night put you in mind of reggae? Does anything that Shakespeare ever composed make you think, Dang, if only Toots and the Maytals had recorded this, as you spark up a fat one?
Since Fie asked me for a full report, here is my quick (and merciless) take:
Shakespeare's Sonnet 20, arranged by Rufus Wainwright. Not so bad, I'd say, although I feel like Rufus is thrown a bit off his game by the text.
Steve Earle has made some excellent recordings. This one is...entertaining, anyway. Remember the first observation in my review above.
Everyone loves "Hallelujah" by Leonard Cohen, even if they think that Jeff Buckley wrote it. But not many people know the worst-ever arrangement, by some dude named Bono. For the life of me, I cannot understand what he thought he was adding to our understanding of this song. Don't quit your day job, fella.
This may be the crown jewel of WTF in my music collection. I hope with all my might that someday I get to try the drugs that made this recording seem conceivable, much less desirable. I can scarcely imagine how many people had to drink the kool-aid to bring this track to fruition. I can't bring myself to delete it, because it feels like some sort of Zen Buddhist puzzle for me to riddle out: how can this track exist without triggering the end of the world?
Finally, a truly, frighteningly bizarre recording that, despite everything I think I know about the universe, actually hangs together. I'm especially interested to hear what both Fie and Dr. Crazy have to say about this one; I suspect they'll both dig it, possibly for different reasons. It's genuinely disturbing to me to recognize how much I like this arrangement.
Why weird? Well, Fie Upon This Quiet Life has posted what I receive as a pretty strange pop recording: a reggae-inflected setting of a song from Twelfth Night. Fie seems to disagree with me about this, but I think it's kind of bizarre. Does Twelfth Night put you in mind of reggae? Does anything that Shakespeare ever composed make you think, Dang, if only Toots and the Maytals had recorded this, as you spark up a fat one?
Since Fie asked me for a full report, here is my quick (and merciless) take:
- More often than not, reggae sounds silly when it is applied in production as an accent or flourish, rather than the dominant style. This goes double when the singer is a middle-aged white person.
- Reggae thrives on great grooves and jams, which means that it tends to be either fantastic or awful. This recording somehow falls in the middle for me, but I have to say that it starts dragging ass around 1:30.
- This guy's voice isn't that good. Why couldn't they get a better singer?
- I've never been an especial fan of either reggae or Twelfth Night, so take what I say with a grain of salt.
Shakespeare's Sonnet 20, arranged by Rufus Wainwright. Not so bad, I'd say, although I feel like Rufus is thrown a bit off his game by the text.
Steve Earle has made some excellent recordings. This one is...entertaining, anyway. Remember the first observation in my review above.
Everyone loves "Hallelujah" by Leonard Cohen, even if they think that Jeff Buckley wrote it. But not many people know the worst-ever arrangement, by some dude named Bono. For the life of me, I cannot understand what he thought he was adding to our understanding of this song. Don't quit your day job, fella.
This may be the crown jewel of WTF in my music collection. I hope with all my might that someday I get to try the drugs that made this recording seem conceivable, much less desirable. I can scarcely imagine how many people had to drink the kool-aid to bring this track to fruition. I can't bring myself to delete it, because it feels like some sort of Zen Buddhist puzzle for me to riddle out: how can this track exist without triggering the end of the world?
Finally, a truly, frighteningly bizarre recording that, despite everything I think I know about the universe, actually hangs together. I'm especially interested to hear what both Fie and Dr. Crazy have to say about this one; I suspect they'll both dig it, possibly for different reasons. It's genuinely disturbing to me to recognize how much I like this arrangement.